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The Lonely Fight (CH 1/?)

  • Jan. 18th, 2009 at 4:21 PM
kakairu kiss

 Title: The Lonely Fight

Warning(s): Melancholy Iruka, A-hole Kakashi
Rating: PG-13 (It may go up to M)
Genre: Romance, Angst


 

A/N: Hello! First time posting for the KakaIru community, but I'm a senior lurker. I just got tired of school and having to write a whole bunch of stuff I didn't really care about. So I decided to finally write a story on my OTP, one that I would want to read had I not wrote it. XP So here's your typical Iruka is feeling low of himself and Kakashi's not being of any help kind of story. Enjoy!

Chapter 1: Our Respectful Places

I wait for him to return from his missions, alive if not well, when I’m certain that my existence is but a mere coincidence to him. He is Hatake Kakashi, after all, and I… I’m an academy teacher.


 

When he eventually strolls in after every mission, I'm relieved yet frightened to see him; despite my conflicting feelings, I wouldn’t mind if he put more effort into his mission reports: his writing is atrocious, barely legible, and there are squiggles of nonsense here, there, and everywhere. He once turned in a report that was soaked in mud and once turned in a report charred through every corner of every page. That would mean he would have had to have been sitting illogically close to a camp fire, a fireplace, or a stove when he wrote it out. He even had the audacity to blame it on his ninken once...! I wanted to tear him out good for that ridiculous lie.


 

He has no social graces or doesn't care for them, at least. He wanders about the streets of Konoha for hours on end when not training, or visiting the memorial stone, or on a mission, with his head stuck within the pages of dirty novels. He's polite to the extent of patronization and shows just enough respect towards authority so not to be called upon what disrespect he usually gets away with. He's tardy, always tardy...! He doesn't respond to much or many and has this uncanny ability of disappearing during conversations.


 

But all his social faults are overshadowed by his achievements as a ninja. He's serviced Konoha a great deal and sacrificed much of his youth to the ways of Shinobi. His hard work and accomplishments in ANBU and as a Jounin squad leader are exceptional; his personal life, unknown. He was deprived a childhood, a fact easy to identify if you know what to look for...if you knew who you're looking at. I guess that's the true irony of Hatake Kakashi. No one really sees anything of him, not even a face. His surface quirks, bad habits, and exceptional fighting skills are common knowledge, but no one really knows him. I don't even know him, and I can't help but wish I did.


 

When he comes in today, tardy as usual, with a crumpled, crinkled mission report and a smile in one visible eye, I'll say, “Good evening, Kakashi-sensei. I hope you made it back in good shape?” I wouldn't dare show my annoyance straight to his face, knowing just how much he intimidates me. I'll grin and bear it, the agony of listening to his low, sultry voice give excuse after excuse of why he was late to turn in another report. Then I'll chuckle, blush, and scratch my nose, because I'm nervous. Why does Hatake Kakashi always make me nervous?


 

Ma...? Iruka-sensei? Are you okay?”


 

I'm fine.” I'm fine... I have to stop telling people that. But I can never seem to let go of this facade, this, act of always being happy and well-organized; mentally capable. There are few other ninjas who appear as sane as I. Yet, he asks me this same question every time he comes here. Is it because I'm that obvious? Do I flush red so vividly or give away my discomfort just as easily as a Genin would give away his position? Does he know? I hope he doesn't know... “I'm sure you can't wait to get off your feet and rest, Kakashi-sensei. Hand in your report, please?” I smile, I wait and hide the agony of every single moment, sitting in his presence. I sit and he stands. He's already stronger than me, more skilled, much more important... it's almost as if our physical presence magnify those obvious differences.


 

I'll always just be that academy Chunin who argued against him before the Chunin exams, the Missions Room worker that's always congenial and polite to incoming reports, or Naruto's academy teacher. I'll always be known as Umino-san, or Iruka-sensei, but never Iruka. I wish he knew me as Iruka. His presence is overbearing and suffocating, because I know I want nothing more than to reach out to him; to be acknowledged by him. But why?


 

I'm a bit surprised he even remembers my name. “Eh, Iruka-sensei, I hope you don't mind but... on my way back to the village, my scroll came lose and hit a tree. A tree branch did this.” He lifts the report and I stare in disbelief, noting that it's not just any crinkled and crumpled mission report, but a crinkled and crumpled mission report sliced in half, right down the middle. Either the fates desire that Kakashi must never hand in a perfect report, or I simply have bad luck, being here every time he arrives to turn it in. Or maybe he's doing this on purpose. Perhaps it's all three reasons.


 

When he wants to be, Hatake Kakashi can be very vindictive. I've seen the way he treats those that are of lower rank; in particular, myself at times. Sometimes he goes out of his way to remind me how different in skill and strength we are. It's always very subtle and polite, but the conceit is so thick that he has nearby Shinobi laughing at my expense. This is why I question his reasons, his excuses, and have to wonder why he always comes to me when there are others he could hand in his mission report to.


 

Kakashi-sensei...!” But I'm rendered utterly speechless this time, more than usual and I don't know why. What do you say when someone tries to hand in something as foul as that? My outburst has caught the attention of my co-workers and other Jounins and Chunins in a room that grows steadily quite. “Kakashi-sensei, how on earth am I supposed to decipher this?”


 

He shrugs, “You have to admit... I've handed in worse, haven't I?” There's a pause and then a roar of laughter from most in the room, and a few chuckles grow into cackles when everyone has put two and two together. All the attention is unwanted on my part. I remember when I was younger, all I ever wanted was attention, because I was alone and no one cared about me, but it was moments like this that reminded me of those retched years when I was an academy student, the class clown and dead last. People laughed much like they laughed now, at me and not with me, but it was easier to pretend back then than now. So I cower into my chair, unable to control the heat spreading across my tan cheeks, making the scar across my nose more prominent.


 

Kakashi, though, doesn't smile with his eye or even laugh. I'd actually feel better if he'd make some sort of movement; he looks bored, staring at me with his hand outstretched, holding out that despicable report for me to accept. It's not as if I've ever declined before.


 

I'll do what I can, but I don't think the Hokage would approve of this, Kakashi-sensei,” I say timidly. My fingers fumble to grab both parts of the same report, which actually does have dry mud on it. I guess I needed a closer look to identify Kakashi's signature marksmanship. “Thank you for your contribution to the village,” I smile weakly. I can't stare at him now, not when he stares back at me with such intensity it hurts. There's no smile, fake or otherwise; just a blank expression and a weary eye upon his face. He's either very tired or unbelievably bored with my presence.


 

Maa... anytime.” He turns and waves lazily as he leaves. The crowds of Shinobi coming in from late night arrivals step aside for his departure, almost as if he's royalty and to stand too close to him would be detrimental mistake. I watch him leave, of course. I can never stare at him enough and for as long as I can. There will never be a moment in history where the two of us are shacked together on a mission. We don't share the same friends or habitually visit the same sights. It's funny how much and yet how little I know about Hatake Kakashi, but most of what I've learned was for Naruto's sake.


 

With Naruto gone, he and I have nothing in common.


 

Except mission reports: he turns them in and I evaluate them. That's our relationship and a strained one at that. I'll be here for a few more hours, because of his report, even though my shift is supposed to end in five minutes. After all, despite how trivial and meaningless my position tends to be, I take great pride in my work. I'm not turning this in to Tsunade-sama until I've rewritten it myself.

Each Island Dreams Their Own Night

  • Oct. 19th, 2008 at 2:57 PM
poison ivy tch
they made a bet last

for an eternity war riddled sandy shores

can finally rest in peace

Tags:

Writer's Block: Pardon You, Mr. Nixon

  • Sep. 20th, 2008 at 12:35 AM
poison ivy tch

On September 8th, 1974, U.S. President Gerald Ford pardoned Richard Nixon. What limits should there be, if any, on pardoning power? What makes a pardon legitimate to you?


View 215 Answers

A pardon should not come as an act based on settling party terms or promoting positive focus points with the media. A legitimate pardon is supported with just reason or significant purpose. Or, of course, absolute innocence. XP

WIP

  • Sep. 2nd, 2008 at 5:00 PM
poison ivy tch
Chapter two of that story I still have no name for.

Chapter Two: Jeremy's Nonsense


Title: (Untitled for Now)
Rated: PG-13 (for suggestive language and content)
Genre: Dark Humor, Satire, Angst
Summary:
(for chapter 2) VI. Individuals incapable of completing their job are eligible for sacred sacrifice; however, if they repent and take their own life they will be heavily rewarded.

Chapter 2: Jeremy's Nonsense

Comments and critique are most welcomed.

Chapter 2: Jeremy's Nonsense )

Sep. 1st, 2008

  • 7:14 PM
poison ivy tch

Title: (No title for now)
Rating: PG-13 (for language and content)
Genre: Satire, Action, Dark Humor, Angst
Summary: (for chapter one) Main character Evan is found with an interesting item while sleeping on the grounds of his own home.)

Comments and critique are welcomed.

Chapter One: Gypsy Gold

 

Chapter One: Gypsy Gold )

Real love for the bands.

  • Aug. 24th, 2008 at 2:09 PM
poison ivy tch

Alright, this is no shit. I'm heavily in love with bands now, and Supernatural. I blame my friend Sarah-- she knows what she's done to me!!! But I'm lovin' every second of it, which makes my new obsessions worse.

So far, I've been drooling over Panic at the Disco, and The Cab. Honestly, when PatD first came out, I thought they were good but they never really interested me. But now I'm all over them. The Cab is just awesome, and I'm in love with Cash , so that only heightens my obsession. 

All in all, I feel pretty good, while I obsess over Cobra Starship right now. XP

DAMN YOU SARAHHHHH!!!!!

My Review of "The Dark Knight"

  • Jul. 21st, 2008 at 9:07 PM
poison ivy tch
The "Smart" Knight

Here's my review of "The Dark Knight", which was provoked out of me by an article titled The Smart Knight (above), which dabbles in the save Nolan created by the very last of the film, a catch that could quite possibly sever the new adaptations inevitability of becoming a campy, goofy, and (at it not with it) laughable (perversion) interpretation of the DC comic series Batman that has been portrayed in the Batman shows and movies of the 1950s, '60s, '80s, and '90s (And recently with fucking The Batman on the WB. Someone shoot me in the face).
 
 
From the overly satiated:
 
I admit that when I left the movie theater yesterday night, I was smiling like a dumb fool. My mind and heart were spoiled with the dark tone setting and tragic ending that accurately portrayed the psychological and human implications that were bred from the Batman series since its inception in 1939.
 
From the moment masked men began playing tag with greedy minds and itchy trigger fingers, all I could think was "Yes...yes, yes, yes! This is what it's all about." After all, this had always been what Batman was about. The campy stains of the 1950s, '60s, '80s, and '90s were successfully being eradicated from my mind-this diehard Batman fan (since the age of 6) will get her satisfaction while watching the mesmerized looks of aw on all the faces of every hero comic book fan who shelved the Dark Knight for a wimpy dweeb in red and blue spandex.  
 
Jack Nicholson's colorful, comical, and goofy Joker evaporated while Val Kilmer and George Clooney's superficial, broad, bleak, and bland Batman portrayals simply dissolved. "The Dark Knight" blew my expectations away; so enthralling and compelling it was while remaining, for the most part, scientifically realistic and morally driven, I had difficulty linking this film as an add-on to Nolan's first Batman film, "Batman Begins".  
 
By this point I was shaking in my theater seat, fidgeting all over, and telling my father I could no longer watch; the movie was too good for me.
 
I couldn't be prouder to be a Batman fan than now, knowing full well that this film has derived a heart of the comic that is not always seen by the general mass of the public. Only a fan such as myself would understand the mental afflictions these characters represent, and the mental inflictions they are to present. The Joker is a clown in the vaguest description; in actuality, he is a mass murdering sociopath who enjoys chaos and mayhem simply because he has the will to create it. He has always been this opposite; this mirror image to Batman. This role was played, justly and respectively so by the late Heath Ledger, whose portrayal of the Joker fit the patent.
 
The film maintained an outstanding casts all around. Even though Rachel Dawes was not an actual Batman character in the Detective Comics, I feel that Maggie Gyllenhaal truly flourished within that role and expanded the character to a plateau of enjoyment that Katie Holmes could never reach. Aaron Eckhart, Gary Oldman, Morgan Freeman, Christian Bale, and Michael Cain rounded out an outstanding casts for an outstanding plot.
 
"The Dark Knight" had action, drama, romance, comedy, cross-dressing, and tragedy. Never did I feel the cold dread of guilt trickle down the theater aisles so violently than when I saw this film, laughing along with fellow patrons while the Joker made a pencil disappear when he slammed it through a man's head by the rubber-tipped end, or when he cracked a joke just after killing several unsuspecting people within the perimeter of where he stood. It was demented yet humorous, and all I could have ever asked for in a Batman film.
 
It never occurred to me that Christopher Nolan's depiction of the DC comic would fall into an inevitable whirlpool of campy sequels with goofy method actors who drew you away from the characters they 'portrayed'. I admit, I feared Ledger's interpretation of one of the greatest villains created with continuous chants of "He better do this right. Oh I swear to the heavens- you can play a gay guy, so do this exceptionally as well?!" Mind you, I was begging this about a year and a half ago! But from beginning to end, I could feel the residual perfection of this film as it passed on to further adaptations of the Batman series.
 
I can only hope that the next film (there WILL be a next film), will strive above the psychological dimension and overly stunning addition that was "The Dark Knight".  
 
 

Terribly Magnificent

  • Jul. 6th, 2008 at 10:50 AM
poison ivy tch
I believe dreams are a beautiful gift given to all of mankind. The more complex they are, the better the growth of the mind.

It never really dawned on me: the power television had on the mind just before the all-encompassing tugs of sleep engulfed you. Just recently I experienced a side-effect to Zombie-Watching, which is my new title for the symptom and practice of watching horror films before drifting off to la-la-land. Well, let me just state right here and now that Zombie-Watching is forever banned from my nightly practices.
 
Now, I don’t consider Dawn of the Dead a rather scary film, but that just might be due to the fact that I’ve watched it too many times. Even so, the subconscious of my mind chose to play a very dirty trick on my coping sensibilities, mixing that along with the Saw series and Resident Evil like a twisted suicide drink. Boy was it sour.
 
The traps were intricate, and the set-up was flawless; a run-down Victorian home, which was a lot grander than it made itself out to be, trapped within an illusion vortex created to make the victim feel endlessly confined by maze-like courtyards with no exits in sight. In fact, the only way to escape the property after going through hell and back again to escape the interior of the house, one simply had to climb to the top of the roof, and jump. The act would break the illusion, among other things, and you were allowed to go free.
 
The house was aligned with cobwebs and dust-bunnies, blood streaked floors and soot. Dead bodies clung to the ceiling while others tried to cling to you. It was horrifying, running from these mindlessly rabid beings in a house where every other step was a death-trap. In each room a recording was left, another clue as to how to get out of this hell-hole. It didn’t help that while trying to solve these puzzles and escape these life-denying traps we were being ambushed by the rejects of the underworld, deformed and grotesque like some DOOM lab mistake. They bit, they tore, they growled groaned and moaned, yet we struggled on, trying to find a way out of a house we were invited to for what was supposed to be a friendly get-together.
 
I came in alone and along my journey met the five of my companions. Only two of us survived: me and one other who put their life on the line while I controlled it in order to pass the last test.
 
After that we sat and had a long conversation with our captor, the Jigsaw himself, but he insisted we call him John. He gave us a lengthy explanation as to why we were chosen before disappearing, giving us another hour to find our way out before a toxic chemical was released into the house, seizing our bodies immediately while it slowly ate away at our skin and body organs.
 
I can’t recall what happened to my final companion, but I do remember making it to the roof before jumping off and saving my life. After that I went to summer-school where I spent most of the time shaking, drinking from a milk carton. 

So what can I say about my dreamworld brush with death? It was exhilerating; I woke up and my heart was beating faster than a running motor. It's the thrill that made me want to fall back asleep and experience horrors only seen in someone's worst nightmares. 

It's a shame I can't feel the same way after dreaming about playing monopoly.